Histomat: Adventures in Historical Materialism

'Historical materialism is the theory of the proletarian revolution.' Georg Lukács

Friday, October 24, 2014

In Our Time - The Haitian Revolution

Discussion of the Haitian Revolution on BBC Radio 4

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Copycat Crime - A UKIP Calypso response by Alexander D Great

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Tuesday, March 04, 2014

New Book: C.L.R. James in Imperial Britain

Out now as part of the C.L.R. James Archives series with Duke University Press:


C.L.R. James in Imperial Britain by Christian Høgsbjerg
C. L. R. James in Imperial Britain chronicles the life and work of the Trinidadian intellectual and writer C. L. R. James during his first extended stay in Britain, from 1932 to 1938. It reveals the radicalizing effect of this critical period on James's intellectual and political trajectory. During this time, James turned from liberal humanism to revolutionary socialism. Rejecting the "imperial Britishness" he had absorbed growing up in a crown colony in the British West Indies, he became a leading anticolonial activist and Pan-Africanist thinker. Christian Høgsbjerg reconstructs the circumstances and milieus in which James wrote works including his magisterial study The Black Jacobins. First published in 1938, James's examination of the dynamics of anticolonial revolution in Haiti continues to influence scholarship on Atlantic slavery and abolition. Høgsbjerg contends that during the Depression C. L. R. James advanced public understanding of the African diaspora and emerged as one of the most significant and creative revolutionary Marxists in Britain.

Read the introduction here

Endorsements

"Christian Høgsbjerg's book is going to make a very significant impact on the community of C. L. R. James scholars and beyond. Høgsbjerg has thoroughly combed the key archival sources to generate a comprehensive, lively, and insightful portrait of James's intellectual and political life during his first sojourn in Britain. In doing so, he has filled in many key details and fleshed out many important events in James's life in Britain."
Paget Henry, co-editor of C. L. R. James's Caribbean and editor of the C.L.R. James Journal

"When C. L. R. James left Trinidad for England in 1932, it was a kind of homecoming: A connoisseur of cricket, immersed in the works of Shakespeare and Thackeray almost from birth, James was the consummate Afro-Saxon intellectual long before setting foot in London. In C. L. R. James in Imperial Britain, Christian Høgsbjerg follows him into the meeting halls and radical bookstores, the cricket grounds and bohemian haunts, where this displaced 'Victorian with the rebel seed' emerged as a leading figure in the Trotskyist and Pan-Africanist movements. The fusion of insight with command of factual detail sets the new standard by which serious work on C. L. R. James must be judged."
Scott McLemee, editor of C. L. R. James on the "Negro Question" and the forthcoming The Dialectics of State Capitalism: Writings on Marxist Theory by C.L.R. James

Reviews

''C.L.R. James in Imperial Britain opens up the issue of the Third World struggle in an elegant and memorable way''
'C.L.R. James: Back in Style, Black in Style' by Paul Buhle, authorised biographer of C.L.R. James, author of C.L.R. James: The Artist as Revolutionary

"The excellence of this book by Christian Høgsbjerg on CLR James's first sojourn in Britain between 1932 and 1938 is signalled by the drama of its cover photograph.  Wearing a very English raincoat, the Trinidadian writer and militant is pictured addressing a mid-1930s meeting in Trafalgar Square.
    By 1938 Special Branch had judged James to be a fluent speaker, very well versed in the doctrines of Karl Marx and other revolutionary writers.
    Shortly after arriving in England he moved in with his old friend and compatriot, the cricketer Learie Constantine, and was a powerful advocate of West Indian self-government.  But his elite colonial schooling at Trinidad's Queen's Royal College and a literary apprenticeship in Port of Spain had certainly not made him a Marxist.
    Steeped in English literature - he told me in a 1982 interview that he had read Thackeray's Vanity Fair ten times before he was nine years old -  Høgsbjerg explains that in his early Trinidad days James had been a devotee of English Victorian cultural prophets like Matthew Arnold, with all his sweetness and light.
   Yet within a few months of staying with Constantine in the insurgent Lancashire cotton-weaving town of Nelson, where his host was a Lancashire League professional cricketer, he had become so involved in and influenced by the struggles of the "Red Nelson" working class - which he allied with black struggles all over the imperialist world - that, as he declared, "literature was vanishing from my consciousness and politics was substituting itself."   Høgsbjerg tells of this process of transformation with a compelling narrative vibrancy.
  In subsequent chapters he tells the story of James's involvement both in the apparently contradictory worlds - yet not so if you were James - of cricket reporting for the Manchester Guardian and Glasgow Herald and active solidarity with world anti-imperialist and Pan-Africanist processes.
   This was provoked by a reunion with his old Trinidadian school friend George Padmore who had written the pathfinding Life and Struggles of the Negro Toilers in 1931.  In 1937, as part of his solidarity work for the Ethiopian people after Mussolini's fascist invasion, he helped set up the African Bureau for the Defence of African and People of African Descent in London.
     Another engrossing chapter is that which tells of James's Paris-based research for, and the writing of The Black Jacobins, his history of the Haitian Revolution of 1791.  Its forerunner, the play about its leader Toussaint l'Ouverture with Paul Robeson as the protagonist, was performed in London's West End in 1936.
     Høgsbjerg has produced an invaluable addition to both British and Caribbean labour scholarship and has written it in such an accessible way that its stirring and provocative narrative ought to inspire thought and action.''
Chris Searle, 'A scion of black consciousness', Morning Star, 26 May 2014.

"Høgsbjerg discusses [James's] publications in various ways but it is the intellectual and social movement context the author brings to these works, which continue to animate critical minds today, that makes the reader pause and delight''
Matthew Quest, Insurgent Notes

''This impressively researched, well-written and accessible book demonstrates that James's time in Britain was a period of fertile intellectual growth for this inspirational writer and activist''
Brian Richardson, Socialist Review, June 2014.

''Just out from Duke University Press's C.L.R. JAMES ARCHIVES series is this important new book from Christian Hogsbjerg. Christian's first volume in this series was an edition of the original script of James's play Toussaint Louverture: The Story of the Only Successful Slave Revolt in History. This new book is the first to offer a full examination of James's years in England following his departure from Trinidad in 1932. In the few short years between his arrival in England and his departure for the United States, James published Minty Alley, The Case for West Indian Self-Government, World Revolution, A History of Negro Revolt and  Black Jacobins, all while keeping up work as a cricket writer and participating in the work of the African Service Bureau, International Friends of Abyssinia, and others. These years are vital for understanding James's evolution as a thinker and revolutionary, indispensable for understanding the work that he would do in the United States.''
Aldon Lynn Nielsen, author of C.L.R. James: A Critical Introduction

''One of the most impressively researched biographies of a prominent radical to appear in recent memory ... Anyone with an interest in black protest, literary London, and/or left politics in the 1930s will enjoy this smart, factually grounded yet thematically rich biographical study''.
Kent Worcester, 'Renegades and Castaways', New Politics (Summer 2014)

''Høgsbjerg has made a major contribution through his reconstruction of James’s life and times in imperial Britain. Recovering James’s ventures into radical bookshops such as Lahr’s, his time spent in Nelson and Bloomsbury, his touring Britain as a cricket reporter, and much more, Høgsbjerg does a supreme job of reconstructing the historical geography of a distinct, and distinctly radical, life. In this sense, his book is an example to geographers, historians or other radical intellectuals pursuing the study of previously neglected biographies.''
Daniel Whittall, Antipode (August 2014)

"One of the book’s greatest assets is the way it manages a remarkable density of information. Refusing to succumb to the temptation of showing a single, linear narrative of James, Høgsbjerg uses the most diverse sources to illuminate the man’s different facets. His James is a witty thinker, spectacular orator, gifted organizer, cricket lover, and a politics addict. Indeed, these different traits exist side by side, develop over time, and contribute to shaping James’s trajectory....  He illuminates James as an actor who participated in and influenced contemporaneous debates about how Marxism and Trotskyism could provide answers to fighting colonial rule and the rise of Fascism.... CLR James in Imperial Britain is a valuable contribution to the field of James studies. It illuminates the early phases of Afro-Caribbean anticolonial activism in Britain and the development of anticolonial Marxism. Simultaneously, it tells the story of a remarkable beginning and shaping of much of C.L.R. James’s thought".
Itay Lotem, Twentieth Century British History (November 2014). 


Book Launches
Thursday 27 March, 7.30pm, Nelson Library, Lancashire.
Supported by North East Lancs TUC and Preston Black History Group.

Friday 11 July at Marxism 2014, central London 

Edited to add: Check out this film about CLR James's life in 1930s Britain

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Monday, February 10, 2014

Stuart Hall


The passing of Stuart Hall is very sad news indeed.  Hall was one of the most remarkable, distinctive and principled voices on the New Left in post-war Britain - a very cultured anti-Stalinist Marxist intellectual whose heroes were figures such as Antonio Gramsci and C.L.R. James, and whose writing was always thoughtful and thought provoking, even if one did not agree with it in its entirety.   Duncan Hallas once said of Ralph Miliband that he 'hovers, hesitates, floats, between the best of the academic left and revolutionary left', and this was true of Hall and his contribution as well.  Given we are approaching the 30th anniversary of the start of the Great Miners' Strike in Britain,  there will no doubt be some discussion of Hall's analysis of Thatcherism as 'authoritarian populism' and the problematic positions associated with his support for the Marxism Today project.  Yet we should also remember Hall's contribution as a youthful activist in the first New Left - around CND and as the first editor of New Left Review - which are brought out quite well in the film 'The Stuart Hall Project'.  Those wanting to critically engage with Hall's work around 'Cultural Studies' would be well recommended to read Colin Sparks's contribution to the volume edited by David Morley and Kuan-Hsing Chen, Stuart Hall: Critical Dialogues in Cultural Studies (London: Routledge, 1996), which shows the essential continuities in thought which ran throughout his life from the 1950s until the 1980s in thinking about such questions as class consciousness and identity.  Overall, Hall made a creative, original and impressive contribution to the British and international Left, both as a black radical public intellectual and a generous partisan academic - and I count myself very privileged to have been able to have met him in person.  My sincere condolences go out to those who were close to him, particularly his friends, family and comrades - RIP Stuart. 

Edited to add: a link to some videos of Stuart Hall speaking: http://www.youtube.com/playlist?list=PL9F57C5B178A98750

Edited to also add: Tributes / obits / commentary from Robin Blackburn (with useful links), Tariq Ali Evan Smith , Keith Flett , Gary Younge, Suzanne Moore, Stuart Jeffries


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Saturday, December 21, 2013

Richard Hart - socialist historian

I was saddened to learn about the passing earlier today of Richard Hart, a great Jamaican socialist historian - indeed one of the great historians of the modern working class in the Anglophone Caribbean (and also an important trade union activist who played his part in the making of that class himself). I never met him, but had the fortune to correspond with him - his numerous works were a tremendous contribution. My condolences to his friends, family and comrades. RIP.

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Monday, December 16, 2013

New Book: Chris Braithwaite: Mariner, Renegade and Castaway



Just in at Bookmarks bookshop, courtesy of the Socialist History Society and Redwords books:

Chris Braithwaite: Mariner, Renegade and Castaway by Christian Høgsbjerg

Chris Braithwaite (aka 'Chris Jones') was a black Barbadian seaman who became a leading organiser of colonial seamen in inter-war Britain.  He played a critical role in the Pan-Africanist and wider anti-colonial movement alongside figures such as C.L.R. James and George Padmore.  Christian Høgsbjerg recovers Braithwaite's long over-looked life as a black radical and political trade-unionist, and suggests his determined struggle for working class unity in the face of racism and austerity retains relevance for us today.

Endorsements / reviews

'Through his scrupulous research of the compelling life and times of Chris Braithwaite, Christian Høgsbjerg has uncovered the vital contribution of a pioneering black activist and anti-colonial stalwart. Braithwaite's brave achievement should be on the curriculum of all our schools.'
Chris Searle, Race & Class

'Høgsbjerg shines light on a generation of radical fighters against racism and exploitation, caught between the spark of light generated by the 1917 Bolshevik revolution and the crushing darkness of Stalinism.'
Hassan Mahamdallie, author of Black British Rebels

'Christian Høgsbjerg's "biography from below" of West Indian seaman Chris Braithwaite opens a portal onto an dynamic Black and Red Atlantic world of work and politics.  Here is an excellent contribution to a "people's history of the sea."'
Marcus Rediker

'this short new biography of Chris Braithwaite (known as Chris Jones) rescues a forgotten hero of the working class movement from relative obscurity'
Resolute Reader

'In opening up the story of 'Chris Jones' or Chris Braithwaite, author Christian Høgsbjerg has also opened up a largely otherwise forgotten chapter, still with interesting questions, in the history of the British Left.'
Charlie Pottins


'a creditable introduction to this important but hitherto neglected figure in seafaring history'
Mike Gerber, 'Uncovering an unknown hero', Nautilus Telegraph, 47, no. 6 (June 2014), p. 28.


'Chris Braithwaite was born in 1885 in Barbados. He became a leading organiser of colonial seamen in inter-war Britain. As a black trade unionist and political activist his life has been marginalised in accounts of this period. Like Mancunian black activist Len Johnson he played an important role in his own community, representing black seamen and other minorities who faced racism,not just from shipowners and fellow seamen but also from their trade union. How he continued to stay active in politics given the forces against him makes this such a wonderful book... well worth buying and only £4!!'
Lipstick Socialist

'Chris Braithwaite, who often operated under the name Chris Jones, was a Barbadian trade union activist who chaired the Colonial Seamen’s Association and regularly spoke at rallies and at the Speakers Corner section of London’s Hyde Park. Like CLR James, he contributed political pieces to International African Opinion and other anti-colonial periodicals, and, like James, he was a leftist critic of Stalinism who believed in the power of the organized working class to change society. In contrast to James, of course, the story of Braithwaite’s trans-Atlantic activism has been largely overlooked; Høgsbjerg’s characteristically sturdy study goes a considerable distance toward rectifying this oversight.'
Kent Worcester, 'Renegades and Castaways', New Politics 57 (Summer 2014).



Book Launch
Tuesday 18 February, 6.30pm at Bookmarks,1 Bloomsbury Street, London,WC1B 3QE call 0207 637 1848 to reserve place, £2 admission, refundable on any purchase.

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Tuesday, April 02, 2013

Selma James on Beyond a Boundary at 50

CLR James's Beyond a Boundary - declared by John Arlott 'the finest book written about the game of cricket', marks its fiftieth anniversary this year - there is a conference in Glasgow in May for those interested.  CLR James used to report cricket for the Glasgow Herald and the Manchester Guardian during the 1930s - and so it is fitting that the Guardian should publish a tremendous piece by CLR's wife Selma James recalling the circumstances in which James wrote his classic work (which I once discussed briefly on my blog in the past here amidst the victorious movements of national liberation in the Caribbean and elsewhere.

Edited to add: See this piece by Mike Marqusee

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Friday, January 18, 2013

Rediscovered play by C.L.R. James published


  
With black history on the British school curriculum now under threat from the Tories as never before, the appearance of a critical edition of the great Trinidadian writer and historian C. L. R. James’s play about the Haitian Revolution Toussaint Louverture: The story of the only successful slave revolt in history (out now with Duke University Press) is most timely. The remarkable play, written by James in 1934, was performed at London’s Westminster Theatre in 1936 with Paul Robeson in the title role - and stands as not only possibly the finest anti-imperialist play to make it onto the British stage in the inter-war period but the first time black professional actors starred on the British stage in a play by a black playwright. Toussaint Louverture represents a piece of revolutionary literature in its own right, indeed it is the lost literary companion volume to The Black Jacobins, James's classic 1938 history of the Haitian Revolution. The original playscript has never before been published, as it was widely presumed lost, and and so this is the last major piece of James's writing never before published. This special edition includes the programme, photographs, and reviews from the 1936 production, a contextual introduction and editorial notes on the play, and selected essays and letters by James and others, and launches the new C.L.R. James Archives series with Duke University Press.


Endorsements / Reviews

 "The text of this nearly forgotten drama, succinctly introduced to today's readers with a valuable set of accompanying essays, is an invaluable contribution to Pan-African studies and our understanding of 'the Black Plato' as a remarkably talented playwright. C. L. R. James readers, and not only those of The Black Jacobins, will rejoice."
Paul Buhle, authorized biographer, author of C. L. R. James: The Artist as Revolutionary

"Long legendary throughout the diaspora, the first version of C. L. R. James's play about Toussaint Louverture finally emerges from the archives. This play is the production that united James with his friend Paul Robeson on the London stage. It was an extraordinary event at the time—witness the contemporary reviews added to this publication—and it is no less extraordinary today. In addition to reviews, this edition also reprints valuable early statements from James and Robeson. It is a singular, one might even say Olympian, volume with much to teach us all."
Aldon Lynn Nielsen, author of C. L. R. James: A Critical Introduction and Integral Music: Languages of African American Innovation

"The most famous account of the Haitian Revolution is, of course, CLR James’s 1938 history The Black Jacobins. But before he composed his dramatic history of revolution, James rendered the revolution as historical drama. His play was written in 1934, staged in 1936 at London’s Westminister Theatre – with Paul Robeson starring – and lost until a draft was rediscovered in 2005..."
 The Public Archive,'Radical Black Reading / Reading Haiti 2012'

''[T]horoughly researched and intelligently prepared....Toussaint Louverture is easily one of the two or three most important publications of C.L.R. James’s work in decades... now that the playscript is in print, it seems time for someone to rise to the challenge of putting it on the boards, or on the screen"
Scott McLemee, 'Revolution on Stage', Inside Higher Ed

''One need only read the table of contents to see that you have much more than a play here. It includes reviews and other critical information that deepens your appreciation of the play. This is an example how a chance discovery of a lost manuscript can be turned into something that opens the door to a relevant world. This play is a must-read for anyone who has read and loved The Black Jacobins as you can see much of the lyricism of that great work prefigured in its lines ... As long as the world wilts with oppression, is awash with crisis, and punctuated by resistance this play, its subject matter, and now this book, will have to be read, watched and pondered on over and over again.''
Gaverne Bennett, London Socialist Historians Group Newsletter


"James manages to tell the whole story of the struggle in all its twists and turns as Louverture steps his way through all the imperial trip wires until the fatal error where he trusts too much in French civilisation.  It focuses on dialogue between a small number of people on stage. As a play, the offstage revolutionary upheaval has to be described, not witnessed. Reading the script, the possibility of it being the bedrock of a screen adaptation is enticing.  Louverture’s story on the big screen, showing the heroism of the Haitian masses, would be a brilliant corrective to the Barack Obama-driven, post-racism narrative."
The play was only performed on a handful of occasions, but met with critical applause. James manages to tell the whole story of the struggle in all its twists and turns as Louverture steps his way through all the imperial trip wires until the fatal error where he trusts too much in French civilisation.
It focuses on dialogue between a small number of people on stage. As a play, the offstage revolutionary upheaval has to be described, not witnessed. Reading the script, the possibility of it being the bedrock of a screen adaptation is enticing.
Louverture’s story on the big screen, showing the heroism of the Haitian masses, would be a brilliant corrective to the Barack Obama-driven, post-racism narrative.
- See more at: http://www.greenleft.org.au/node/54593#sthash.Zck4Dh7r.3qo9rfix.dpuf
The play was only performed on a handful of occasions, but met with critical applause. James manages to tell the whole story of the struggle in all its twists and turns as Louverture steps his way through all the imperial trip wires until the fatal error where he trusts too much in French civilisation.
It focuses on dialogue between a small number of people on stage. As a play, the offstage revolutionary upheaval has to be described, not witnessed. Reading the script, the possibility of it being the bedrock of a screen adaptation is enticing.
Louverture’s story on the big screen, showing the heroism of the Haitian masses, would be a brilliant corrective to the Barack Obama-driven, post-racism narrative.
- See more at: http://www.greenleft.org.au/node/54593#sthash.Zck4Dh7r.3qo9rfix.dpuf
Barry Miles, 'Toussaint Louverture brought to life in play, book', Green Left Weekly

''The many people interested in James, and the many admirers in particular of his The Black Jacobins, will welcome this first publication of his 1934 play''
Rickey Singh, 'C.L.R. James and Toussaint', Trinidad Express, 30 July 2014.

Edited to add: See this discussion of the play in sx salon 16 (May 2014)
Toussaint Louverture brought to life in play

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Wednesday, November 28, 2012

New Book: The Amistad Rebellion

 


















THE AMISTAD REBELLION: An Atlantic Odyssey of Slavery and Freedom
By Marcus Rediker
ISBN: 9780670025046

On June 28, 1839, the Spanish slave schooner Amistad set sail from Havana on a routine delivery of human cargo. On a moonless night, after four days at sea, the captive Africans rose up, killed the captain, and seized control of the ship. They attempted to sail to a safe port, but were captured by the United States Navy and thrown into jail in Connecticut. Their legal battle for freedom eventually made its way to the Supreme Court, where their cause was argued by former President John Quincy Adams. In a landmark ruling, they were freed, and eventually returned to Africa. The rebellion became one of the best-known events in the history of American slavery, celebrated as a triumph of the legal system in films and books, all reflecting the elite perspective of the judges, politicians, and abolitionists involved in the case. In this powerful and highly original account, Marcus Rediker reclaims the rebellion for its true proponents: the African rebels who risked death to stake a claim for freedom.
Using newly discovered evidence, Rediker reframes the story to show how a small group of courageous men fought and won an epic battle against Spanish and American slaveholders and their governments. He reaches back to Africa to find the rebels’ roots, narrates their cataclysmic transatlantic journey, and unfolds a prison story of great drama and emotion. Featuring vividly drawn portraits of the Africans, their captors, and their abolitionist allies, he shows how the rebels captured the popular imagination and helped to inspire and build a movement that was part of a grand global struggle between slavery and freedom. The actions aboard the Amistad that July night and in the days and months that followed were pivotal events in American and Atlantic history, but not for the reasons we have always thought.
The successful Amistad rebellion changed the very nature of the struggle against slavery. As a handful of self-emancipated Africans steered their own course to freedom, they opened a way for millions to follow. This stunning book honors their achievement.

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Friday, December 23, 2011

Leo Zeilig on Frantz Fanon

Frantz Fanon by David Macey who sadly passed away this year

Leo Zeilig, author of a forthcoming study Frantz Fanon: The Militant Philosopher of Third World Liberation remembers the life and work of Frantz Fanon one of the greatest anti-colonial revolutionary humanists of the twentieth century, the Caribbean intellectual who went to fight for the Algerian Revolution, and who died fifty years ago this month. Zeilig concludes:

Today revolutionary change has shifted again to North Africa. We should once more return to Fanon for his extraordinary insights into revolutionary change and his insistence on waging a relentless battle against the "caste of profiteers" who seek to control and break our movements...

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Tuesday, October 26, 2010

The Literary Trotskyism of Stieg Larsson

Basically, it seems the late Swedish novelist was a bit of a legend politically, and not just for his anti-fascism...

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Saturday, April 19, 2008

Aimé Césaire (1913-2008)


'I remain faithful to my beliefs and remain inflexibly anti-colonialist' -
Aimé Césaire, 2005.

Respect to the great Martinican poet and socialist humanist.

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